We explore self-supervision as a way to learn general purpose audio representations. Specifically, we propose two self-supervised tasks: Audio2Vec, which aims at reconstructing a spectrogram slice from past and future slices and Temporal-Gap, which estimates the distance between two short audio segments extracted at random from the same audio clip. We evaluate how the representations learned via self-supervision transfer to different downstream tasks, either training a task-specific linear classifier on top of the pretrained embeddings, or fine-tuning a model end-to-end for each downstream task. Our results show that the representations learned with Audio2Vec transfer better than those learned by fully-supervised training on Audioset. In addition, by fine-tuning Audio2Vec representations it is possible to outperform fully-supervised models trained from scratch on each task, when limited data is available, thus improving label efficiency.
With the rise of low power speech-enabled devices, there is a growing demand to quickly produce models for recognizing arbitrary sets of keywords. As with many machine learning tasks, one of the most challenging parts in the model creation process is obtaining a sufficient amount of training data. In this paper, we explore the effectiveness of synthesized speech data in training small, spoken term detection models of around 400k parameters. Instead of training such models directly on the audio or low level features such as MFCCs, we use a pre-trained speech embedding model trained to extract useful features for keyword spotting models. Using this speech embedding, we show that a model which detects 10 keywords when trained on only synthetic speech is equivalent to a model trained on over 500 real examples. We also show that a model without our speech embeddings would need to be trained on over 4000 real examples to reach the same accuracy.
We propose the Fréchet Audio Distance (FAD), a novel, reference-free evaluation metric for music enhancement algorithms. We demonstrate how typical evaluation metrics for speech enhancement and blind source separation can fail to accurately measure the perceived effect of a wide variety of distortions. As an alternative, we propose adapting the Fréchet Inception Distance (FID) metric used to evaluate generative image models to the audio domain. FAD is validated using a wide variety of artificial distortions and is compared to the signal based metrics signal to distortion ratio (SDR), cosine distance and magnitude L2 distance. We show that, with a correlation coefficient of 0.52, FAD correlates more closely with human perception than either SDR, cosine distance or magnitude L2 distance, with correlation coefficients of 0.39, −0.15 and −0.01 respectively. arXiv:1812.08466v4 [eess.AS]
We explore self-supervised models that can be potentially deployed on mobile devices to learn general purpose audio representations. Specifically, we propose methods that exploit the temporal context in the spectrogram domain. One method estimates the temporal gap between two short audio segments extracted at random from the same audio clip. The other methods are inspired by Word2Vec, a popular technique used to learn word embeddings, and aim at reconstructing a temporal spectrogram slice from past and future slices or, alternatively, at reconstructing the context of surrounding slices from the current slice. We focus our evaluation on small encoder architectures, which can be potentially run on mobile devices during both inference (re-using a common learned representation across multiple downstream tasks) and training (capturing the true data distribution without compromising users' privacy when combined with federated learning). We evaluate the quality of the embeddings produced by the self-supervised learning models, and show that they can be re-used for a variety of downstream tasks, and for some tasks even approach the performance of fully supervised models of similar size.Preprint. Under review.
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