As an emerging discipline which interrelates with musicology and iconology, the Music Iconography in China is still at the beginning stage. In the past 30 years, its research methods have been the focus of debate in regard to its academic direction, academic position, and academic path. These three "academic problems" should be paid attention because they not only sustain our current research and construction of Music Iconography's future and destiny, but also become major theoretical and practical issues. Th…
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