“…I could hear the trees: "Look beneath the undergrowth and smell, feel and see what you always knew was there…" (Dena Fam, 2021) Writers, artists and scholars have canvassed many ways of 'pausing' for thought or reflection: the pause produced by mindfulness and 'mindwandering' (Agnoli et al, 2018;Paul B. Paulus et al, 2021), by 'precognitive triggers' (Dewsbury, 2010a), including those generated by art (Thrift et al, 2010;Wood, 2016), in Saul Bellow's state of 'intransitive attention' induced by beautiful writing (2019 (1995), p. 180); by stepping away from 'the data' and immersing oneself in, and allowing one's perspective to be shifted by other thinkers (St. Pierre, 2019; by solitude and its capacity to stimulate imagination and creative thinking (Bowker et al, 2017;Knafo, 2012;Long & Averill, 2003;Paul B. Paulus et al, 2021); by postrepresentational and more-than-representational -sensory, affective, exploratory -3 connections with the world (Anderson & Harrison, 2010;Barad, 2012;Dewsbury, 2010aDewsbury, , 2010bLorimer, 2005) which include walking as enabling a particular kind of attention (B. Banerjee & Blaise, 2013;Instone, 2015;Kagan, 2019;Murray & Järviluoma, 2020;Palmer, 2014;Wylie, 2005); by an affective intensity that suspends our normal 'action-reaction circuits and linear temporality' (Massumi, 1995, p. 89). What is sought is a kind of thinking that is more 'responsible and responsive to the world's patternings and murmurings' (Barad, 2012, p. 207).…”