Theatralität und die Krisen der Repräsentation

Fischer‐Lichte, Erika

doi:10.1007/978-3-476-05566-8

Cited by 14 publications

(3 citation statements)

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“…Drama, in Hellmut Hal Rennert (ed. ): Essays on Twentieth-Century German Drama and Theater: An American Reception ), New York, Lang, 2004 Ihis paper explores how two major forms of poetic rituality manifest in the dramatic works of the Sámi author Nils-Aslak Valkeapää (1943-2001, owing to the influence of Sdmi and Japanese cultures. More precisely, this presenta¬ tion focuses on the mapping of scripted ritual elements, which inspire, influ¬ ence, and contribute through their embodiment to the aesthetic presentivity of a yoik-Noh play and its performances.…”

Section: Bertolt Brecht's Play With Rituals Noh Theater and Media In ...mentioning

confidence: 99%

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Poetic Rituality in Theater and Literature

2020

Károli Könyvek. Tanulmánykötet

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Toward the end of the twentieth century, in art as well as ritual studies, cultural turns contributed to elaborating a broad definition of ritual and rituality. Rituality is now generally regarded as one of the master keys to understanding not only cultures in general but also arts in particular. Poetic rituality sheds light on the liminal characteristics of the art form and references to ritual practices, ritual forms and structures that are set in motion in a way that allows special aesthetic characteristics and semantic aspects to arise. The contributors to the volume - theater and literary studies scholars as well as students from Yale, Bielefeld, Károli University, and the Grotowski Institute - had the opportunity to share their related works in the course of several recent international academic events. Since our team also included dramatists, dramaturgs, and directors of theater, our workshops offered frames for sharing insights into artistic laboratories, especially in the barrack-dramaturgy of András Visky and the work led by Jarosław Fret at the Grotowski Theater. Complementing the many different approaches to poetic rituality, all of the workshop presentations and studies brought together in the present volume continue to demonstrate how fundamentally rituality can contribute to the formal, semantic, pragmatic, and structural unfolding of literary and theatrical art works. Besides continuous theoretical reflections, a vast array of examples is given, ranging from Greek, Japanese, English, and Hungarian to German, Russian, French, and Sámi drama, performance, and theater productions, as the studies in the present volume also illustrate.

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Section: Bertolt Brecht's Play With Rituals Noh Theater and Media In ...mentioning

confidence: 99%

“…-who found his world in Bucharest and whose gorgeous daughter Julieta Ivanca Szőnyi achieved a fine career as a film actor in Romania 59 Temesrekas in Hungarian. " Sändor Mohy (1902-2001Sändor Bardöcz (1962: musical artist.…”

Section: For Am I Not Alone In All the World?mentioning

confidence: 99%

Poetic Rituality in Theater and Literature

2020

Károli Könyvek. Tanulmánykötet

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“…Instead of remaining on the level of subjective criticism (or even, of personal idiosyncrasies), the question of aesthetic experience -following Fischer-Lichte -is to be lifted up to the domain of principal discussion by studying these experiences in their generative context of performativity. 59 The possible connections between the changing conceptions of musical articulation in Boulez's conducting and in his compositional practice probably demand their own methodological discussions. At least, there are no automatic lines of influence to be taken for granted here, although some kind of turn seems to be apparent -towards a greater care for continual formal developments and transitions, akin to the sensibility of Austro-German music taken from the First to the Second Viennese School.…”

Section: Conclusion and Further Questionsmentioning

confidence: 99%

Modernist Composer and Mahler Conductor: Changing Conceptions of Performativity in Boulez

Guldbrandsen¹

2006

SMN

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hat conceptions of musical articulation govern the serialist writing of Pierre Boulez in the 1950s? What happens when this diehard modernist composer takes up orchestral conducting and delves deeply into the late romantic repertoire of Wagner and Mahler through the late 1960s and '70s? What changes can be noted when Boulez then returns to Pli selon pli, his main work from the late 1950s, and profoundly revises its musical form in the 1980s? And what differences in musical articulation can be traced when Boulez the conductor again takes up Mahler's orchestral works, and records them in new versions in the years around 2000? These are central questions that I wish to address in this article, which is mainly a study in musical performativity. INTERPRETATIONS OF PERFORMATIVITYDuring the last few years, the concept of 'performativity' (Performativität) has emerged as a weighty challenge to the traditional practices of musical analysis, historiography, and interpretation. The so-called performative turn is claimed to have changed the optics of several related fields, such as the studies of theatre, art, music, literature, media, social practices and rituals, and it has also involved cultural studies, anthropology, philosophical aesthetics and speech-act theory. 1 Some call this a veritable shift of paradigm in the history of the humanities 2 -from semiotics to linguistic performance (Austin, W

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Theatralität und Souveränität. Ein diskursanalytischer Beitrag zur thematischen Ausrichtung von Kulturwissenschaft als Kommunikationswissenschaft

Ellrich¹

2003

Kulturwissenschaft Als Kommunikationswissenschaft

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Theatralität und die Krisen der Repräsentation

Cited by 14 publications

References 0 publications

Poetic Rituality in Theater and Literature

Poetic Rituality in Theater and Literature

Modernist Composer and Mahler Conductor: Changing Conceptions of Performativity in Boulez

Theatralität und Souveränität. Ein diskursanalytischer Beitrag zur thematischen Ausrichtung von Kulturwissenschaft als Kommunikationswissenschaft

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