The Virtual Life of Photography

Kember, Sarah

doi:10.1080/17540760802285239

Cited by 11 publications

(9 citation statements)

References 7 publications

(12 reference statements)

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“…Photography, like other forms of aesthetic experiences, engages individuals in a process of meaning (co-)production. Such a process emerges from the expressive qualities of photographs, namely, memory and intuition (Kember, 2008), which render their consumption a subjective experience that is based on the beholder's personal background (e.g. past experiences and memories).…”

Section: The Semiotics Of Photographic Aestheticsmentioning

confidence: 99%

The artist and the photograph: a semiotic analysis of consumers’ experiences with photographs

Plakoyiannaki

Stavraki

Tsapi

2022

QMR

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Purpose This study aims to address research calls to investigate how (visual) consumption experiences carry and convey meanings to individuals. Applying McCracken’s meaning transfer model to a photographic exhibition, the authors expand this model into the realm of aesthetic experiences to explore how the meaning of such an (visual) experience emerges and flows to (novice and expert) consumers. Design/methodology/approach This research uses an interpretive case study of the photographic exhibition “Facing Mirrors” hosted as part of the Biennale of Contemporary Art, and draws on multiple sources of evidence, notably 50 in-depth visitor interviews, observation and archival records. Findings The evidence highlights the moveable nature of meaning within an aesthetic context and illustrates the critical role of semiotics and of the different ritualistic behaviors enacted by novice and expert visitors as a means of unfolding and creating the meaning of such an experience. Research limitations/implications The findings provide implications in terms of (co-)creating authentic, immersive and meaningful (brand) experiences in the fields of visual consumption and customer experience management. Practical implications Practical implications to arts organizations are also provided in terms of curatorial practices that emphasize the material, emotional and dialogic nature of photographs as a visual art form. Originality/value The study provides new insights into (visual) consumption experiences by bringing the meaning transfer model together with a semiotic approach, thus illustrating different performances and sense-making activities through which (expert and novice) visitors (co-)create and appropriate the value of their aesthetic experiences.

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Section: The Semiotics Of Photographic Aestheticsmentioning

confidence: 99%

The artist and the photograph: a semiotic analysis of consumers’ experiences with photographs

Plakoyiannaki

Stavraki

Tsapi

2022

QMR

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“…photograph) is what entails the different ways of knowing, feeling, and doing of arts-based methods (Ward and Shortt, 2020). Similarly, Kember (2008) acknowledges the expressive qualities of photography, namely memory and intuition, which lead to expressive and experiential ways of knowing. Discourses in arts-based (Seregina, 2019;Ward and Shortt, 2020) and photo-elicitation research (e.g., Madden and Smith, 2015;Kjellstrand and Vince, 2020) also stress the potential of such methods to involve participants in the co-creation of knowledge by giving them power and voice.…”

Section: Revisiting the Photo-elicitation Method: An Arts-based Approachmentioning

confidence: 99%

Arts-based methods in business education: A reflection on a photo-elicitation project

Stavraki

Anninou

2022

Management Learning

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This article addresses research calls to explore the theory and practice of arts-based methods in business and management education to better understand the learning processes and the ways of knowing that these methods generate. By focusing on photo-elicitation as a pedagogical tool, we problematize an insufficient focus of current discourses on its arts-based origins and revisit photo-elicitation from an arts-based perspective. Based on a reflective account emerging from our teaching experience with photo-elicitation as an assessment strategy, we provide a conceptualization of photo-elicitation as an (experiential) learning and teaching tool. This conceptualization teases out under-theorized elements (i.e. doing, power, multiple framing of meaning, audience) of the method and surfaces overlapping stages of a photo-elicitation learning process. We also offer novel insights into students’ encounters with the photo-elicitation method, thus illustrating the role of the method’s arts-based elements in understanding how learning occurs in such a context. Implications are also provided contributing to an understanding of the value of arts-based methods to the theory and practice of management education.

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“…Virtual photoshoot atau Long Distance Photoshoot adalah aktifitas pemotretan dengan posisi objek / model dan fotografer terpisah dan tidak berada di satu tempat yang sama. Virtual photoshoot merupakan metode fotografi baru karena adanya perdebatan pada media baru, studi sains, dan teknologi, dan bidang terkait fotografi [5]. Medium tersebut berupa virtual photoshoot yang berisi tentang software video call dimana interaksi antara fotografer dan model dapat dilakukan.…”

Section: Virtual Photoshootunclassified

Review Pergeseran Fotografi Dari Sistem Konvensional ke Digital (Virtual Photoshoot) Pada Masa Pandemi COVID-19

Zen¹,

Sintowoko²,

Wiguna³

et al. 2021

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Tahun 2020 merupakan tahun awal terjadinya pandemic atas penyakit COVID-19 yang disebabkan oleh coronavirus. Dengan adanya pandemic virus corona ini, memberikan dampak dampak yang menghasilkan adanya tren terbaru dari kehidupan yang biasanya, seperti perubahan lifestyle. Kondisi ini dikarenakan dalam masa social distancing dimana arahan masyarakat untuk tidak saling berinteraksi, menimbulkan kebiasaan kebiasaan yang sebelumnya belum diterapkan. Hal ini membuat sebuah tren baru yang memunculkan pemanfaatan teknologi virtual seperti musem virtual dan lainnya. Salah satunya adalah aktifitas ketika berkarya dalam fotografi. Dalam fotografi kemunculan tren yang diakibatkan oleh COVID-19 ini adalah tren virtual photoshoot. Tren ini dapat dilihat dalam sosial media dimana penggunaan virtual photoshoot ini menjadi sebuah era fotografi yang baru dalam melakukan photoshoot jarak jauh. Kajian yang akan dibahas dalam jurnal ini adalah pengaruh dampak COVID-19 dalam perkembangan tren virtual photoshoot ini kedalam perubahan budaya fotografi dalam pemotretan. Hasilnya merupakan kajian awal berupa informasi virtual photoshoot ini dalam proses awal dalam perubahan perkembangan fotografi.

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The Virtual Life of Photography

Cited by 11 publications

References 7 publications

The artist and the photograph: a semiotic analysis of consumers’ experiences with photographs

The artist and the photograph: a semiotic analysis of consumers’ experiences with photographs

Arts-based methods in business education: A reflection on a photo-elicitation project

Review Pergeseran Fotografi Dari Sistem Konvensional ke Digital (Virtual Photoshoot) Pada Masa Pandemi COVID-19

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