The Rhythm Pattern Adaptation of Langgam Jawa in Kroncong

Rachman, Abdul; Utomo, Udi

doi:10.2991/iconarc-18.2019.24

Cited by 7 publications

(8 citation statements)

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“…The rhythm pattern played throughout the song and repeated continuously by various musical instruments will form a certain rhythm pattern. Rhythm patterns have certain names with their own characteristics (Banoe, 2003;Miller, 1958;Rachman & Utomo, 2019). The music playing pattern is a form and structure that uses a certain rhythm and tone and is carried out throughout the song repeatedly and regularly to create a rhythm with a certain name (Rachman, Teangtrong et al, 2022).…”

Section: Bundengan Musical Instrument Playing Patternmentioning

confidence: 99%

Form of Bundengan Traditional Music Arrangement by Sanggar Akustika in Wonosobo

Christy

Rachman

2023

jsm

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Bundengan is one of the traditional musical instruments in Indonesia that originates and developes in Wonosobo Regency, Central Java. The bundengan music group Akustika provides arrangements for bundengan music. This research aims to determine and provide a description of the form of bundengan music arrangement by the bundengan music group Akustika. The method used in this research was qualitative with a musicological approach. Data collection was carried out through observation, interviews, and documentation techniques. Data analysis was conducted through data reduction, data presentation, and conclusion drawing. The research results show that the musical arrangement of Bundengan in Sanggar Akustika, Wonosobo Regency, combines traditional Bundengan musical instruments with instruments such as cak, guitar, keyboard, violin, bass, and drums. The performed music genres include modern pop, campursari, dangdut, nostalgic songs, and regional songs in Indonesia. The basic tones used are C major and G major, with mixed arrangement styles. During the performance, each musical instrument utilizes a limited repetitive playing pattern until the completion of the song. All the instruments in the Bundengan music complement each other and form dynamic and harmonious musical patterns.

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Section: Bundengan Musical Instrument Playing Patternmentioning

confidence: 99%

Form of Bundengan Traditional Music Arrangement by Sanggar Akustika in Wonosobo

Christy

Rachman

2023

jsm

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“…Suatu pola ritme yang diulang-ulang secara teratur dari berbagai instrumen dan dimainkan sepanjang lagu akan membentuk suatu pola irama. Pola irama ini mempunyai ciri khas tersendiri dan mempunyai nama tertentu (Banoe, 2003;Miller, 1958;Rachman & Utomo, 2019). Jadi, bisa disimpulkan bahwa pola permainan musik adalah sebuah bentuk, struktur permainan musik dengan menggunakan nada dan atau irama tertentu yang dilakukan secara berulang dan teratur sepanjang lagu yang membentuk satuan irama dengan nama tertentu.…”

Section: Analisis Dan Interpretasi Data Pola Permainan Alat Musik Gam...unclassified

Ragam Pola Tabuhan Instrumen Gambang Pada Musik Gambang Semarang

Rachman

Teangtrong

Jirajaruphat

et al. 2022

MUDRA

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Gambang Semarang merupakan salah satu musik tradisi Indonesia yang tumbuh dan berkembang di kota Semarang, Jawa Tengah. Musik Gambang Semarang memiliki instrumen yang terbuat dari kayu yang menjadi ciri khas dari musik Gambang Semarang itu sendiri yaitu Gambang. Instrumen Gambang memiliki ragam pola tabuhan khas yang bias memberi nuansa pada musik Gambang Semarang. Tujuan penelitian ini adalah untuk mengetahui dan mendeskripsikan ragam pola tabuhan instrumen Gambang pada musik Gambang Semarang. Metode penelitian yang digunakan adalah kualitatif dengan pendekatan etnomusikologi. Teknik pengumpulan data dilakukan dengan teknik observasi, wawancara, studi dokumen, dan Focussed Group Discussion. Analisis data dilakukan dengan tahapan reduksi data, klasifikasi data, dan penyimpulan. Hasil penelitian menunjukkan bahwa pola tabuhan instrumen gambang pada musik Gambang Semarang terdiri dari pola tabuhan gembyang nglagu oktaf, dan pola garap cengkok ajeg. Masing-masing pola tabuhan dari instrumen gambang tersebut melibatkan rangkaian nada-nada sesuai dengan seleh-nya. Karena terpengaruh seleh dari melodi lagu utama maka pola tabuhan gembyang nglagu oktaf dan pola tabuhan garap cengkok ajeg memiliki enam seleh yaitu seleh do, seleh re, seleh mi, seleh sol, dan seleh la.

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“…This rhythm pattern has its characteristics and has a specific name (Banoe, 2003;H. M. Miller, 1958;Rachman & Utomo, 2019;Suhaya et al, 2020). So, it can be concluded that the pattern of music playing is a form, structure of music playing by using certain tones and or rhythms that are carried out repeatedly and regularly throughout the song that forms a rhythm unit with a certain name.…”

Section: The Playing Pattern Of the Gambang Musical Instrument On The Gambang Semarang Musicmentioning

confidence: 99%

A Comparative Study of Playing Patterns on Gambang and Ranat Ek Instruments

et al. 2022

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Gambang Semarang is one of Indonesia’s traditional music which has an instrument made of wood, namely gambang (xylophone). Thai Pi Phat Ensemble has a Gambang-like instrument called Ranat Ek. In the presentation, each of these instruments certainly has a playing pattern that is characteristic of the music itself. This study aims to identify and describe the pattern of traditional music playing in the Gambang Semarang, especially the Gambang instrument and the traditional music of Thai Pi Phat Ensemble, especially the Ranat Ek instrument. The research method used is qualitative with a musicological approach. Data collection techniques were carried out by using observation, interviews, document studies, and Focused Group Discussions. Data analysis was carried out with the stages of data reduction, data classification, and concluding. The results show that the playing pattern of the Gambang instrument in the Gambang Semarang music contains two types of playing patterns, namely sekaran Nglagu and cengkok ajeg. While the playing pattern of the Ranat Ek instrument in the Pi Phat Ensemble consists of kan ti kro, kan ti kep, kan ti siao mue, kan ti sado, and kan ti sabat. The two instruments have similarities and differences in playing patterns which are most likely due to differences in functions and roles in group play.

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The Rhythm Pattern Adaptation of Langgam Jawa in Kroncong

Cited by 7 publications

References 0 publications

Form of Bundengan Traditional Music Arrangement by Sanggar Akustika in Wonosobo

Form of Bundengan Traditional Music Arrangement by Sanggar Akustika in Wonosobo

Ragam Pola Tabuhan Instrumen Gambang Pada Musik Gambang Semarang

A Comparative Study of Playing Patterns on Gambang and Ranat Ek Instruments

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