volume 4, issue 3, P237-248 2009
DOI: 10.1177/1746847709344789
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Abstract: This article argues that the comic book form is anything but static. The panels that litter its pages are riddled with a dynamism and motion that presents its own unique articulation of time and space. Some of the narrative action represented within a comic book panel can 'freeze' time, but other panels -while remaining visually static as still images on a page -open up complex depictions of time and space that create modes of perception that are particular to comics. The comic represents the animated flux of…

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