“…This shift from active military engagement abroad during the early years of the War on Terror to a strategy largely characterized by intelligence gathering, drone warfare, and mass surveillance, places The Flash within a fundamentally transformed culture strongly influenced by modern security politics and consequently also influenced by suspicion about both corporate and government surveillance. In particular, many scholars argue that despite social and legal progress, LGBTQ populations remain disproportionately vulnerable to regimes of mass surveillance and big data, as, for example, hidden exchanges of data revealing sexual preference may become the basis of automated discrimination, or nongender-conforming bodies can be marked as a threat by airport security (Bhattasali and Maiti, 2015;Conrad, 2009aConrad, , 2009bLewis, 2010;Phillips and Cunningham, 2007;Werbin et al, 2017). As a result, metaphors about closeting and secrecy in The Flash are differently inflected in relation to, on the one hand, modern gains made by the LGBTQ rights movement, and, on the other hand, increasing fears associated with pervasive state and corporate surveillance, as well as transformations in security politics.…”