DOI: 10.17265/2159-5836/2015.11.001
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XING Chun-li

Abstract: The Secret River, Grenville resorts to the genre of historical novel as a way of reconciling the past. Though the novel challenges the racialised stereotypes of the Aboriginal people by adopting a double perspective (a reconfigured white perspective to refute the colonists' views), the moral ambiguity of the settler identity is still complicit with the colonial discourse. On the other hand, Carpentaria rejects a narrow, essentialist categorization of the Aboriginal people and defamiliarises the concept of whit…

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