“…It is at this point where the present collection of articles convincingly shows that the transition to tourism and research must not be seen as something that would at some time be "over." Rather, there is a strong underlying current that constructs Svalbard as something that might be called a socialmaterial configuration under the guiding aim of achieving sustainability (see the contribution by Hovelsrud, Veland, Kaltenborn, Olsen, & Dannevig, 2021;also, more generally, Pram Gad & Strandsbjerg, 2019), and that particularly constructs Svalbard not only as a political, legal, or economic configuration, but decidedly also as a cultural and aesthetic one (see la Cour, 2022;Polar Record Ødegaard, 2022). It is these configurations that need to be enacted and "negotiated," be it through practices and underlying imaginaries of what Svalbard "is" (or should be), be it by guides in the tourist industry (see the contribution by Trine Andersen), be it by the local government and administration, or be it through the waking up of a "ghost town" (see Kavan & Halašková, 2022).…”