Abstract:This article weaves a story around the scant evidence that survives of the first university-based electroacoustic studio in Africa and the musical experimentalism that developed alongside it at the fledgling music department of what was then the University of Natal. The time is the early 1970s, the setting the eastern seaboard city of Durban, the local political context the ‘Durban moment’ of growing political unrest infused by Steve Biko's Black Consciousness movement and the radical politics of Richard (Rick… Show more
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