Some Applications of Adobe Photoshop for the Documentation of Furniture Conservation

Godla, Joseph; Hanlon, Gordon

doi:10.1179/019713695806124648

Search citation statements

Order By: Relevance

Paper Sections

Select...

Digitally Produced Non-interventive Infilling For Archaeolo1

Citation Types

Supporting

Mentioning

Contrasting

Year Published

2008

Publication Types

Select...

Article1

Relationship

Self Cite0

Independent1

Authors

Journals

Cited by 1 publication

(1 citation statement)

References 1 publication

Supporting

Mentioning

Contrasting

Order By: Relevance

“…2 However the emphasis to date has been on using digital software such as Photoshop for documentation, mapping and replica making, rather than the production of printed materials to use with the objects themselves (Godla & Hanlon 1995;Ahmon 2003;Boersma 2003).…”

Section: Digitally Produced Non-interventive Infilling For Archaeolomentioning

confidence: 99%

Using digital and hand printing techniques to compensate for loss: Re‐establishing colour and texture in historic textiles

Lennard¹,

Baldursdóttir²,

Loosemore³

2008

The Conservator

View full text Add to dashboard Cite

Conservators use a range of 'gap filling' techniques to improve the structural stability and presentation of objects. Textile conservators often use fabric supports to provide reinforcement for weak areas of a textile and to provide a visual infill in missing areas. The most common technique is to use dyed fabrics of a single colour but while a plain dyed support provides good reinforcement, it can be visually obtrusive when used with patterned or textured textiles. Two recent postgraduate dissertation projects at the Textile Conservation Centre (TCC) have experimented with hand printing and digital imaging techniques to alter the appearance of support fabrics so that they are less visually obtrusive and blend well with the colour and texture of the textile being supported. Case studies demonstrate the successful use of these techniques on a painted hessian rocking horse and a knitted glove from an archaeological context.

show abstract

Section: Digitally Produced Non-interventive Infilling For Archaeolomentioning

confidence: 99%

Using digital and hand printing techniques to compensate for loss: Re‐establishing colour and texture in historic textiles

Lennard¹,

Baldursdóttir²,

Loosemore³

2008

The Conservator

View full text Add to dashboard Cite

show abstract

Some Applications of Adobe Photoshop for the Documentation of Furniture Conservation

Cited by 1 publication

References 1 publication

Using digital and hand printing techniques to compensate for loss: Re‐establishing colour and texture in historic textiles

Using digital and hand printing techniques to compensate for loss: Re‐establishing colour and texture in historic textiles

Contact Info

Product

Resources

About