2003
DOI: 10.1177/1077800402250928
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Sculpting the Contours of Arts-Based Educational Research Within a Discourse Community

Abstract: Within the field of education, arts-based research is emerging as an inquiry tradition that reaches beyond disciplinary boundaries-creating innovative junctures among art, education, and research. Individuals with diverse talents and interests are being drawn to this newly coalescing discourse community and, in turn, are engendering rich and multifocal conversations not only about specific examples of arts-based research but also about the broader meanings of this approach to educational inquiry. These meaning… Show more

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Cited by 29 publications
(13 citation statements)
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References 22 publications
(20 reference statements)
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“…I am reminded of Conquergood's (1991) consideration of the mind over body hierarchy in academic work, where the rational is taken to be epistemologically superior in a way that denigrates the seriousness of sensual knowing, such as that embodied in rigorous ethnography. Related to this is debate within arts-based educational research around the relative role of rigour in art and research (see Barone and Eisner 1997;Richardson and Lockridge 1998;Finley 2003;Piantanida, McMahon, and Garman 2003;Slattery 2003). While some delineate between small 'a' arts to represent personal artistic renderings and large 'A' Arts to represent public renderings that conform to art traditions (Greene 2000), I would argue that it is important to pursue rigour in both art and research.…”
Section: Discussionmentioning
confidence: 94%
“…I am reminded of Conquergood's (1991) consideration of the mind over body hierarchy in academic work, where the rational is taken to be epistemologically superior in a way that denigrates the seriousness of sensual knowing, such as that embodied in rigorous ethnography. Related to this is debate within arts-based educational research around the relative role of rigour in art and research (see Barone and Eisner 1997;Richardson and Lockridge 1998;Finley 2003;Piantanida, McMahon, and Garman 2003;Slattery 2003). While some delineate between small 'a' arts to represent personal artistic renderings and large 'A' Arts to represent public renderings that conform to art traditions (Greene 2000), I would argue that it is important to pursue rigour in both art and research.…”
Section: Discussionmentioning
confidence: 94%
“…In this situation the candidate role can be unclear, adding to the uncertainty that already exists about the research component of practice and its contribution to knowledge at the instructional level. While examiners appear confident in identifying research elements in PhD studies, how practice-based research is conceived, conducted and facilitated in the Fine Arts field is yet to be clearly articulated (Piantanida, McMahon, & Garman, 2003).…”
Section: Discussionmentioning
confidence: 99%
“…As a form of arts-based research, collage as a pedagogical tool provides the construction and generation of knowledge as well as a way to represent knowledge (Colakoglu and Littlefield 2011;Piantanida, McMahon, and Garman 2003). Collage, from the French verb coller (meaning "to glue" or "to stick"), is a versatile art form that involves gathering a variety of materials to create a single new composition.…”
Section: Why Collage?mentioning
confidence: 99%