Remix in the age of ubiquitous remix

Abstract

What is remix today? No longer a controversy, no longer a buzzword, remix is both everywhere and nowhere in contemporary media. This article examines this situation, looking at what remix now means when it is, for the most part, just an accepted part of the media landscape. I argue that remix should be looked at from an ethnographic point of view, focused on how and why remixes are used. To that end, this article identifies three ways of conceptualizing remix, based on intention rather than content: the aesthetic, communicative, and conceptual forms. It explores the history of (talking about) remix, looking at the tension between seeing remix as a form of art and remix as a mode of ‘talking back’ to the media, and how those tensions can be resolved in looking at the different ways remix originated. Finally, it addresses what ubiquitous remix might mean for the way we think about archival material, and the challenges this brings for archives themselves. In this way, this article updates the study of remix for a time when remix is everywhere.

Uses of Audiovisual Heritage: From Expertise to Personalization

“…Remix and its potentials were a big part of what I as the ethnographic, user-focused researcher was meant to focus on, and the first aspect of the work that I focused on was an exploration of contemporary remix as a term. 7 The public element of "accessibility," like all situations involving audiences and, indeed, people, adds a level of unpredictability for audiovisual archives. On the one hand, there is a great deal of excitement around what audiences can do and how they might reinvigorate and add new context to archives.…”

“…In an age where repurposing and reuse are so common as to be ubiquitous 1 , this is an important question. Accessible doesn't only mean viewable, but appropriatiable -able to be taken and put to use, rearranged and restructured.…”