2013
DOI: 10.1080/01639625.2012.748624
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Reinforcing Gender Roles at the Male Strip Show: A Qualitative Analysis of Men who Dance for Women (MDW)

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Cited by 20 publications
(24 citation statements)
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“…In support of this motive, Matt, a 33-year-old male stripper commented in Scull’s study [47]: “All the guys [male strippers] take steroids, you know?…See, you won’t last long in this industry if you don’t use steroids. They all do steroids” (p. 567).…”
Section: Resultsmentioning
confidence: 99%
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“…In support of this motive, Matt, a 33-year-old male stripper commented in Scull’s study [47]: “All the guys [male strippers] take steroids, you know?…See, you won’t last long in this industry if you don’t use steroids. They all do steroids” (p. 567).…”
Section: Resultsmentioning
confidence: 99%
“…Moreover, one study each originated from Brazil, Bulgaria, Canada, France, Great Britain, and Norway. Twenty-nine studies [ 6 - 8 , 12 , 19 - 21 , 25 - 27 , 30 - 36 , 38 - 47 , 49 , 51 , 52 ] used interviews, six were case studies [ 14 , 22 , 28 , 29 , 45 , 53 ], one used interviews and focus groups [ 9 ], and eight [ 10 , 11 , 13 , 23 , 24 , 37 , 48 , 50 ] used interviews supported by a questionnaire. For the eight studies that used both interviews and questionnaires, we relied on the qualitative results generated from the interviews.…”
Section: Resultsmentioning
confidence: 99%
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“…Research suggests that while conventional gendered meanings position the naked female body as vulnerable, the nudity of the male stripper demonstrates 'male power, expertise and control' (Tewksbury, 1993: 173). Scull (2013) argues that male stripping is 'masculinised' through dancers' adoption of a powerful, and sometimes 'aggressive', sexual role in interactions with women customers. Research with women customers suggests that alcohol consumption may encourage women to act in a loud, 'sexually aggressive' manner (Peterson and Dressel, 1982).…”
Section: Situating Male Strip Showsmentioning
confidence: 99%
“…Moreover, they did not experience pressure from upper management, but rather controlled customers for their own personal gain through a process Thompson labels “venture emotionalism.” Although a certain level of emotional agency is inherent in tipping situations, the status shielding enjoyed by men remains intact. Similarly, Scull (2013) found that men who dance for women utilized their status shield to control and manipulate customers. Exotic male dancers relied heavily on their masculinity to distance themselves from “women’s work,” limiting disempowering forms of emotional labor by using techniques female dancers are unable to engage in.…”
Section: Institutional Norms Emotional Labor and Worker Empowermentmentioning
confidence: 99%