DOI: 10.1590/dados.2020.63.4.222
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Abstract: In this article, I offer a displacement of Carl Schmitt’s metaphysical image of a specific epoch and the way it forges a particular construction of the planet, which reveals architectonic traces of a normative framing which authorizes and legitimizes, a specific way of conceiving the appropriate form of the political organization of the world. Inspired by Jacques Derrida’s work, I displace Schmitt’s traditional friend/enemy dualism towards the sea and the conceptual (post) structural limit-position of the pira… Show more

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