2018
DOI: 10.1007/978-3-319-61955-2
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Popular Culture, Voice and Linguistic Diversity

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Cited by 57 publications
(32 citation statements)
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“…In applied linguistics, studies on adolescents and young adults' on-and offline, translingual practices are emerging (Dovchin, Pennycook, and Sultana 2018) as are studies on formal online language teaching and learning, i.e. with translanguaging perspectives (Wei and Ho 2018).…”
Section: Transnational Family Communication Through Ovcmentioning
confidence: 99%
“…In applied linguistics, studies on adolescents and young adults' on-and offline, translingual practices are emerging (Dovchin, Pennycook, and Sultana 2018) as are studies on formal online language teaching and learning, i.e. with translanguaging perspectives (Wei and Ho 2018).…”
Section: Transnational Family Communication Through Ovcmentioning
confidence: 99%
“…Dovchin et al. () similarly argue that English and other linguistic/cultural resources, language ideologies, and local contexts always occur in relation to one another; that is, the translingual mixtures of various linguistic/cultural repertoires are often associated with explicit and implicit sociocultural and historical relationships, biographies, and subtextual meanings. Therefore, it is important to understand English in terms of ‘translingualism,’ since it enables us to draw attention to the transformative ways in which voices, modes, texts, discourses, and codes operate in relation to each other.…”
Section: Gay English and Translingual Englishmentioning
confidence: 99%
“…Nessa nova configuração, a cultura pop desempenha papel fundamental nas práticas cotidianas de letramentos digitais nas redes sociais. Assim, representando variadas vozes na internet, as diversas manifestações culturais, mais do que a promoção de conteúdo, são meios de construção e reconstrução de recursos linguísticos (DOVCHIN, PENNYCOOK & SULTANA, 2018), configurando-se como elementos ímpares na construção linguística, social, ideológica e identitária de adolescentes e jovens adultos ligados à nova era digital.…”
Section: Introductionunclassified