2007
DOI: 10.1590/s0104-93132007000200001 View full text |Buy / Rent full text
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Abstract: A etnomusicologia das terras baixas da América do Sul, detentora de algumas das descrições mais antigas do mundo sobre "música primitiva" -as de Léry sobre canções tupinambá do Rio de Janeiro (de 1578 [veja 1980]) e Montoya sobre categorias do mundo sonoro-musical guarani (de 1639 [1876]) 1 -não conheceu desenvolvimento moderno comparável, mesmo que de longe, àquela que teve como palco regiões como a África subsaariana, a América do Norte e o sudeste asiático. O estudo das razões para que isto tenha acontecid… Show more

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“…As, for example, a musician who does not hesitate in improvising when necessary, but holds the theoretical knowledge of the instrument he/she plays, leading the change in a harmonic and not unstructured way, which could affect the musical arrangement. In this context, we also cite the possibility of composing musical pieces by means of musical variation, a process in which the initial material of the issue, for example, undergoes various procedures such as transposition, downgrading, diminution, among others, nevertheless always keeping its essential, genuine characteristics (35) .…”
Section: Discussionmentioning
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“…As, for example, a musician who does not hesitate in improvising when necessary, but holds the theoretical knowledge of the instrument he/she plays, leading the change in a harmonic and not unstructured way, which could affect the musical arrangement. In this context, we also cite the possibility of composing musical pieces by means of musical variation, a process in which the initial material of the issue, for example, undergoes various procedures such as transposition, downgrading, diminution, among others, nevertheless always keeping its essential, genuine characteristics (35) .…”
Section: Discussionmentioning
“…Consideremos em seu discurso certas noções de criação e autoria. Aqui encontramos proximidade com a noção de artisticidade utilizada por Rafael Menezes Bastos (2007), em que certos elementos atuam como passe de ingresso nos universos da arte. Se, em certa dimensão, estamos falando nas influências do universo artístico, devemos considerar as diversas formas pelas quais a religiosidade afro-brasileira imprime novos contornos a essa artisticidade.…”
Section: Circuitos Autônomos De Produção Fonográfica Afro-gaúchaunclassified
“…Elementos muy similares están presentes en danzas y rituales de comunidades indígenas vivas en las tierras bajas de América del Sur (Bastos 2007). En tanto, su relación con las coreografías de las danzas caipiras no parece tan evidente.…”
Section: En 1663 Vasconcellos Contabaunclassified