Making Art / Discovering Science

Shapin, Steven

doi:10.1086/699899

Cited by 4 publications

(2 citation statements)

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“…We do not question that science is developed collaboratively and incrementally over time, that there may be many authors for a scientific product. 74 The presence and history of Le Clerc's drawing within the collections of the Science Museum encourages us to look from these different disciplinary approaches, to see how his 'Cabinet' acted to produce knowledge, then and now, for both histories of art and science, and for both the artist and the Académie.…”

Section: Discussionmentioning

confidence: 99%

George Gabb and ‘Le Cabinet de M. Le Clerc’: Art, Science, and the Visual Production of Knowledge

Barrett¹

2022

Art History

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Section: Discussionmentioning

confidence: 99%

George Gabb and ‘Le Cabinet de M. Le Clerc’: Art, Science, and the Visual Production of Knowledge

Barrett¹

2022

Art History

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“…A relational-ecologies perspective can help characterise this happening as a transformative constitutional reordering of governance, science and society that helped to conceptualise the ‘environment’ as an object of enquiry to be collectively known through practices of scientific inter- and trans-disciplinarity (Honeybun-Arnolda 2022). This was made possible both through innovative practices and uses of science and technology, and through the neglect of other forms of knowledge and knowledge-making practices (Jasanoff 2011; Bonneuil and Fressoz 2016; Shapin 2018; Renn 2020; Gay-Antaki 2022), opening up a conflictual space in which the ontological politics of the Anthropocene has taken shape.…”

Section: Ecologies Of Co-productionmentioning

confidence: 99%

Ecologies of co-production in the Anthropocene

Honeybun-Arnolda,

Mahony,

Chilvers

2024

Progress in Environmental Geography

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The urgency, uncertainty and unevenness of the Anthropocene has foregrounded the spatial and temporal multiplicity of co-production between science and society. In this article, we draw together work in geography, science and technology studies and cognate disciplines concerned with ‘co-producing’ knowledge for environmental governance, and with the ‘co-production’ of science and politics. Yet these existing studies and approaches have tended to focus on discrete moments of co-production within bounded time-spaces. Building on work associated with ecologies of participation and geographies of science, we introduce the notion of ‘ecologies of co-production’ as a way to more faithfully attend to multiple co-existing co-productions and the interrelations between them. We define this as diverse interrelating practices and spaces of co-production which intermingle and are co-produced with(in) wider systems and political cultures in which they are situated. We set out how this opens up new ways of thinking about and attending to the spaces and interrelations, diversities and exclusions, histories and constitutions, and responsibilities and affects of co-productions between science and society in the Anthropocene. We suggest that this approach can make a difference in how we do co-production, how we analyse co-production and how we live, act and figure in an Anthropocene world.

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Seeing ecology: pollination and the resistance to Adam Smith’s Theory of political economy in William Blake’sBook of Thel(1789)

Leveton

2020

Nineteenth-Century Contexts

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Making Art / Discovering Science

Cited by 4 publications

References 1 publication

George Gabb and ‘Le Cabinet de M. Le Clerc’: Art, Science, and the Visual Production of Knowledge

George Gabb and ‘Le Cabinet de M. Le Clerc’: Art, Science, and the Visual Production of Knowledge

Ecologies of co-production in the Anthropocene

Seeing ecology: pollination and the resistance to Adam Smith’s Theory of political economy in William Blake’sBook of Thel(1789)

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