Making and remaking multicultural arts: policy, cultural difference and the discourse of decline

Abstract

Currently, a discourse of decline shadows multiculturalism, claiming it is 'no longer' viable as a governmental technique to manage present-day social complexity. This article revisits multiculturalism as an intervention in the discourse of decline, shifting the terms of the multiculturalism debate from the abstract struggle between competing political ideologies, to the minor material processes through which multiculturalism was enacted. Through a Foucauldian analytics of governmentality, we examine in particular the invention and evolution of multicultural arts over the last 30 years. We attend to the multiple ways in which cultural difference has been mobilised and understood by policy-makers and the constituents they served; how these various framings of cultural difference informed the shifting objectives and constituencies of multicultural arts; and how these shifts were influenced by the dispersed nature of policy formation, crossing multiple sites and stakeholders, each subject to, but also resisting and reshaping, the discursive parameters of this category. Such an approach dismantles the coherence and stability of multiculturalism upon which the discourse of decline is premised, but also anticipates the way multiculturalism is presently transforming in response to a transnational, neoliberal cultural imaginary.

Creative Frictions: Arts Leadership, Policy and Practice in Multicultural Australia

“…Historically, 'multicultural arts' has been relegated to the sidelines as outdated and, by implication, mediocre, because of the association with cultural maintenance that sets it aside (Blonski 1992(Blonski , 1994Hawkins 1993;Khan, Wyatt and Yue 2014). It could be argued that, as a response to this kind of criticism (as simplistic) and perception (as static), NESB artists have developed a spectrum of creative processes to increase the possibilities of artistic innovation.…”