2003
DOI: 10.7202/015316ar
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La mise en oeuvre sociale du rêve. Un exemple australien

Abstract: La mise en œuvre sociale du rêve Un exemple australienLes systèmes culturels du rêve des sociétés aborigènes d'Australie dans leurs dimensions épistémologiques, sémantiques et pragmatiques restent un champ d'investigation anthropologique passablement négligé. À l'aide de données recueillies auprès des groupes aborigènes du désert occidental, je propose de considérer cinq moments dans l'analyse de la mise en œuvre sociale du rêve : les theories oniriques locales; le récit onirique; les modes de partage et les p… Show more

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Cited by 9 publications
(7 citation statements)
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“…The aboriginal peoples of Australia are another good example of a society that strongly links dreams with territorial knowledge (Chatwin 1988;Poirier 1994b;Turnbull 2000, 32-8). For these people, maps are among the most common form of representation and can be drawn on bark, sand, rocks or bodies.…”
Section: The Social Uses Of Dreams In Indigenous Societiesmentioning
confidence: 99%
“…The aboriginal peoples of Australia are another good example of a society that strongly links dreams with territorial knowledge (Chatwin 1988;Poirier 1994b;Turnbull 2000, 32-8). For these people, maps are among the most common form of representation and can be drawn on bark, sand, rocks or bodies.…”
Section: The Social Uses Of Dreams In Indigenous Societiesmentioning
confidence: 99%
“…The most relevant example in this respect comes from Poirier in the same book (Poirier, 1994a). From data collected during various fieldwork sessions that took place in the 1980s in the desert of Western Australia, Poirier explains that, for the Aboriginals of this region, dreams are real experiences, integral parts of the real and of the stream of events.…”
Section: Resisting: Dreams Art Time and Affectmentioning
confidence: 99%
“…In short, sites on the territory and tjukurrpa beings are not part of nature, neither are they part of the supernatural. They are and they belong to the social order (Poirier, 1994a: 107–8).…”
Section: Resisting: Dreams Art Time and Affectmentioning
confidence: 99%
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