volume 11, issue 3, P284-296 2016
DOI: 10.1177/1746847716660685
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Abstract: ABSTRACTKarol Irzykowski's The Tenth Muse: Aesthetic Aspects of Cinema (1924) is the first extended study exploring the status of cinema as art in the Polish language. This essay looks at these aspects of Irzykowski's book that relate to his theory of animated film.As I will show, Irzykowski's perception of animation can be seen as an effect of his

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