Investigating the Musical Mind: Situated Cognition, Artistic Human-Robot Interaction Design, and Cognitive Musicology

Seifert, Uwe

doi:10.1353/trh.2011.0006

Cited by 1 publication

(2 citation statements)

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“…[1] A schema theoretic and action-oriented approach to empirical aesthetics and music needs to be extended to research on social schemas to enable this (Seifert, 2011).…”

Section: Aesthetics: Affective Computing and Emotional Processesmentioning

confidence: 99%

“…New insights into and stimulation of research on aesthetics and music are offered by actionoriented approaches and situated cognition (Robbins & Aydede, 2009;Seifert, 2011;Seifert et al, 2013), affective computing (Gökçay & Yildirim, 2011;Scherer, Bänziger, & Roesch, 2010), human-robot interaction (Dautenhahn, 2007), and musical robotics (Solis & Ng, 2011)--or more generally, research on social human-agent interaction, in particular in New Media Art and entertainment-in connection with cultural and social cognitive neuroscience (Han, Northoff, Vogeley, Wexler, Kitayama, & Varnum, 2013) as well as phenomenological approaches in experimental research (cf. Albertazzi, 2013).…”

Section: Aesthetics: Affective Computing and Emotional Processesmentioning

confidence: 99%

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Empirical Aesthetics, Computational Cognitive Modeling, and Experimental Phenomenology: Methodological remarks on “Shaping and Co-Shaping Forms of Vitality in Music: Beyond Cognitivist and Emotivist Approaches to Musical Expressiveness” by Jin Hyun Kim

Seifert

2013

EMR

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The core ideas of the proposed framework for empirical aesthetics are interpreted as focusing on processes, interaction, and phenomenological experience. This commentary first touches on some methodological impediments to developing theories of processing and interaction, and emphasizes the necessity of computational cognitive modeling using robots to test the empirical adequacy of such theories. Further, the importance of developing and integrating phenomenological methods into current experimental research is stressed, using experimental phenomenology as reference. Situated cognition, affective computing, human-robot interaction research, computational cognitive modeling and social and cultural neuroscience are noted as providing relevant insight into the empirical adequacy of current theories of cognitive and emotional processing. In the near future these fields will have a stimulating impact on empirical aesthetics and research on music and the mind.

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“…[1] A schema theoretic and action-oriented approach to empirical aesthetics and music needs to be extended to research on social schemas to enable this (Seifert, 2011).…”

Section: Aesthetics: Affective Computing and Emotional Processesmentioning

confidence: 99%