“…In music, media, and performance studies, there is a large body of historical, theoretical, and market-and consumer-oriented research on musical live performances and the various mediatized forms of music distribution (Auslander, 1999(Auslander, /2008Baade & Deaville, 2016;Fischer-Lichte, 2004/2008Fritsch & Strötgen, 2012;Negus, 2006;Phelan, 1993;Pitts, 2005;Tröndle, 2011Tröndle, , 2020. Recently, digital forms of music distribution and reception have also sparked interest among scholars (Harvey, 2014;Nowak, 2016;Trippett, 2014), not only in and of themselves but also in comparison to live events (Holt, 2010;King, 2018;Mueser & Vlachos, 2018).…”