DOI: 10.1007/978-3-642-11577-6_13
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Abstract: Abstract. The growing overture towards interacting virtual words and the variety of uses, have brought great changes in the performing arts, that worth a profound analysis in order to understand the emerging issues. We examine the performance conception for its embodiment capacity with a methodology based on interaction analysis. Finally, we propose a new situation of multimodal choreography that respects the aforementioned analysis, and we evaluate the results on a simulation exercise.

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