2014
DOI: 10.1109/lsp.2013.2294023
|View full text |Cite
|
Sign up to set email alerts
|

Abstract: A major problem in time-scale modification (TSM) of music signals is that percussive transients are often perceptually degraded. To prevent this degradation, some TSM approaches try to explicitly identify transients in the input signal and to handle them in a special way. However, such approaches are problematic for two reasons. First, errors in the transient detection have an immediate influence on the final TSM result and, second, a perceptual transparent preservation of transients is by far not a trivial ta… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
2
1

Citation Types

0
37
0

Year Published

2015
2015
2024
2024

Publication Types

Select...
5
2

Relationship

1
6

Authors

Journals

citations
Cited by 53 publications
(37 citation statements)
references
References 7 publications
0
37
0
Order By: Relevance
“…The test subjects were asked to use headphones. The test setup used was the same as in [28]. In each trial, the subjects were presented with the original audio sample and four modified samples processed with different TSM techniques.…”
Section: Discussionmentioning
confidence: 99%
See 3 more Smart Citations
“…The test subjects were asked to use headphones. The test setup used was the same as in [28]. In each trial, the subjects were presented with the original audio sample and four modified samples processed with different TSM techniques.…”
Section: Discussionmentioning
confidence: 99%
“…In addition to the proposed method (PROP), the following techniques were included: the standard phase vocoder (PV), using the same STFT analysis and synthesis settings as the proposed method; a recently published technique (harmonic-percussive separation, HP) [28], which uses harmonic and percussive separation for transient preservation; and the élastique algorithm (EL) [36], which is a state-of-the-art commercial tool for time and pitch-scale modification. The samples processed by these methods were obtained using the TSM toolbox [37].…”
Section: Discussionmentioning
confidence: 99%
See 2 more Smart Citations
“…However, it is possible to substantially reduce artifacts by combining different TSM approaches. For example, in [8], a given audio signal is first separated into a harmonic and a percussive component. Afterwards, each component is processed with a different TSM procedure that preserves its respective characteristics.…”
Section: Introductionmentioning
confidence: 99%