DOI: 10.17265/2159-5836/2014.08.005
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Haerang NOH

Abstract: The Korean popular cultural waves have been spread into East Asia for more than a decade. In late of 2000, for most of the perspectives about Korean waves had been moved on the 3rd stage of the K-pop industrial structure, K-pop idol stars as contents of Korean popular music have turned the pivotal contents in East Asia and West countries. This research examined how Taiwanese K-pop consumers are identified as the K-pop enthusiast legitimizing and what they represent the "prosumer" of Korean popular music. Moreo…

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