2007
DOI: 10.1002/xrs.930
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In situ non‐invasive EDXRF analysis to reconstruct stratigraphy and thickness of Renaissance pictorial multilayers

Abstract: In this paper, we report a few examples showing how energy dispersive XRF analysis (EDXRF) coupled with visible reflectance spectroscopy (vis‐RS) can be successfully applied for the investigation of wood or canvas paintings by performing stratigraphic analyses with non‐invasive techniques. The specific aim is to reconstruct layers and their thicknesses. The method has been tested in the laboratory on paint layers similar to traditional Renaissance ones. In situ analyses of a famous wood painting by Andrea Mant… Show more

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Cited by 38 publications
(30 citation statements)
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“…The authors gave the list of commonly used pigments together with their chemical composition and depth penetration of X-rays for selected pigments useful for X-ray spectra interpretation and age estimation. The necessary data for EDXRF analysis of multilayers (Renaissance paintings on canvas or wood) can be also recorded from visible reflectance spectroscopy [60,61]. FP method can be also used for EDXRF analysis of modern and ancient papers [62,63].…”
Section: Fundamental Parameters Methods In µ-Xrf Spectrometrymentioning
confidence: 99%
“…The authors gave the list of commonly used pigments together with their chemical composition and depth penetration of X-rays for selected pigments useful for X-ray spectra interpretation and age estimation. The necessary data for EDXRF analysis of multilayers (Renaissance paintings on canvas or wood) can be also recorded from visible reflectance spectroscopy [60,61]. FP method can be also used for EDXRF analysis of modern and ancient papers [62,63].…”
Section: Fundamental Parameters Methods In µ-Xrf Spectrometrymentioning
confidence: 99%
“…This range of paint thickness is typical of real thick layers of paint. [9] It has been determined analytically that the main pigment used for industrial preparation of the canvas used in the tests was titanium white (Ti dioxide), with impurities of Fe and Zn.…”
Section: Methodsmentioning
confidence: 99%
“…This type of instrument is routinely used in analysis of several archaeomaterial types-for example, pottery (Bonizzoni, Galli & Milazzo, 2010), bronzes (Bonizzoni, Galli & Poldi, 2008), wood (Franceschi, Cascone & Nole, 2008) and paintings (Bonizzoni, Galli, Poldi & Milazzo, 2007).…”
Section: Pxrfmentioning
confidence: 99%