volume 5, issue 2, P223-241 2010
DOI: 10.1177/1746847710368329
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Abstract: Post 1964, after a half-dozen years pursuing an increasingly successful career as an independent producer of animated films, Stan VanDerBeek began to devote himself to a more performative and interdisciplinary practice he termed 'expanded cinema'. This article contends that the most significant moment and motivation in this transition was the artist's close collaboration with John Cage and Merce Cunningham in the production of Variations V, and that an examination of VanDerBeek's MovieMural in the context of …

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