DOI: 10.1590/2175-6236116429vs02 View full text |Buy / Rent full text

Abstract: This paper seeks to construct visibility to black musicians’ memories about their own formative trajectories in post abolition Rio de Janeiro (1890-1930). Analyzing oral interviews from Museum of Image and Sound of Rio de Janeiro, we show some values and knowledges which those musicians considered important for their formation, as well as their comprehension and experiences of education. We focus on the strategies they used to access school and formal knowledge, their intellectual protagonism in this process, … Show more

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