volume 6, issue 2, P177-192 2011
DOI: 10.1177/1746847711407408
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Abstract: International audienceThis study of the oeuvres of Emile Cohl, Marius O'Galop and Robert Lortac, united by reason of their biohistorical and aesthetic kinship, helps to reconstruct the specificities of the first school of animated film in France. In their films, these animators, formerly caricaturists, combined models whose function was either entertainment or educational, and specific either to the illustration industry or to the children's books and toys market, with spectacular paradigms borrowed from the s…

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