volume 8, issue 3, P211-213 2013
DOI: 10.1177/1746847713513412
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Suzanne Buchan

Abstract: EditorialThere are animated works that can be critically analysed and evaluated using theoretical frameworks and aesthetic approaches from film and media studies, but their readings can be improved and expanded by excursions into other disciplines and critical theory. The animated 'graffiti' works from Italian artist is Blu one such case. In "Animating the City: Street Art, Blu and the Poetics of Visual Encounter", Vanessa Chang explores his Muto through Situationist concepts of the derivé, street art and urb…

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