Authenticity 2020
DOI: 10.4324/9780429440588-4
|View full text |Cite
|
Sign up to set email alerts
|

Doing pasts: authenticity from the reenactors’ perspective

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1

Citation Types

0
2
0

Year Published

2023
2023
2023
2023

Publication Types

Select...
1

Relationship

0
1

Authors

Journals

citations
Cited by 1 publication
(2 citation statements)
references
References 1 publication
0
2
0
Order By: Relevance
“…Rather, they are bringing to life those who once lived and suffered, which requires them to have an empathetic appreciation for enacting those people's history (Christie & Mason, 2003;Potter, 2016) in order to appropriately respond and adjust their tour when visitors appear to find the content upsetting. Such considerations for how they personify real people who once suffered demonstrate their commitment to what Braedder et al (2017) calls, responsible representation, and further evidences they understand the needed gravity and seriousness in their personifications, further extending the literature by demonstrating their emotional intelligence and ability to assess how content affects visitors (Brin & Noy, 2010;Cheng et al, 2021). This is of upmost importance considering they depict plague suffering in a post-COVID-19 world, which may now be more upsetting for visitors considering the similarities between the two pandemics in terms of human loss and suffering.…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…Rather, they are bringing to life those who once lived and suffered, which requires them to have an empathetic appreciation for enacting those people's history (Christie & Mason, 2003;Potter, 2016) in order to appropriately respond and adjust their tour when visitors appear to find the content upsetting. Such considerations for how they personify real people who once suffered demonstrate their commitment to what Braedder et al (2017) calls, responsible representation, and further evidences they understand the needed gravity and seriousness in their personifications, further extending the literature by demonstrating their emotional intelligence and ability to assess how content affects visitors (Brin & Noy, 2010;Cheng et al, 2021). This is of upmost importance considering they depict plague suffering in a post-COVID-19 world, which may now be more upsetting for visitors considering the similarities between the two pandemics in terms of human loss and suffering.…”
Section: Discussionmentioning
confidence: 99%
“…Rather, like re-enactors, RTGs embody those who once actually lived. Being able to perceive how visitors are responding to their portrayals is essential for not only ensuring a good experience, but for ensuring responsible representation (Braedder et al, 2017;Magelessen, 2006). Moreover, while Tu et al, (2019) suggests humor can be a powerful tool for helping visitors to cope with difficult and/or uncomfortable content, RTGs who use humor or satire must be able to make the necessary judgements of when to lessen their lightheartedness in response to visitor reactions.…”
Section: Re-enactors Tour Guides and Rtgsmentioning
confidence: 99%