Developing E-Radio: An Online Audio Streaming Application

Te, Jonathan Mark N.; Asbir, Syarief Muhammad; Cruz, Ricky Louie de la; Jabel, Novera Marie; Refugido, Kristine; Marcial, Dave E.

doi:10.1109/ispaw.2011.47

Cited by 7 publications

(3 citation statements)

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“…Radio broadcasts are currently available in analog and digital formats, which are combined to match listeners' habits and needs. Traditional radio stations also use the Internet to expand their target audience and reach listeners around the world (Cordeiro, 2012;Te et al, 2011).…”

Section: Radio Adjusts To the Age Of New Mediamentioning

confidence: 99%

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How does it ‘sound’? Audiences, broadcasters, and managers on visual radio in Israel

Laor

2020

Convergence

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In recent years, radio broadcasts on social media have extended to visual radio broadcasts (e.g. Facebook Live) that support a continuous display of viewer comments in real time. Based on 65 semi-structured in-depth interviews, this study presents for the first time the perspectives of the main actors in the visual radio scene: viewers, broadcasters, and radio executives. Findings show that broadcasters generally believe that the recent visual changes to radio, forced by the changing media environment, have an adverse impact on the radiophonic medium. In contrast, radio executives, who set policies, believe that radio must maintain a presence in the visual, viral interactive online space. For viewers, visual radio meets diverse needs, generates enjoyment, and offers the added value of interactivity and enhanced sense of activity resulting from new access to ‘behind the scenes’ of radio broadcasts. This study demonstrates how the theory of technological determinism is reflected in practice, in the radiophonic medium’s adjustments to the features of the new era – visibility, lost anonymity through increased exposure, potential for viral dissemination, and real-time responsivity – despite the fact that these features are contrary to radio’s unique fundamental features. Despite this innovative turn, all actors – executives, broadcasters, and viewers – believe that radio broadcast consumption remains dominated by the traditional in-car audio format.

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Section: Radio Adjusts To the Age Of New Mediamentioning

confidence: 99%

“…. (A., digital manager) Statements such as these illustrate how the radio seeks to expand its target audience through diversity of content types such as text, audio, and video, and no longer limits itself to radiophonic contents as before (Cordeiro, 2012;Ignatiew, 2017;Te et al, 2011).…”

Section: Adjustments To Visual Radiomentioning

confidence: 99%

How does it ‘sound’? Audiences, broadcasters, and managers on visual radio in Israel

Laor

2020

Convergence

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“…In addition, users can listen to program fragments, accessing these segments or entire programs on demand -even long since archived content [7] Traditional radio stations maximize the internet to widen their target audience, reach new listeners all over the world, and improve interaction quality and rates. Radio content is now creatively combined with varied forms of media -text, audio, and video [9]- [13]. It has been claimed that this fusion of audio, text, and video constitutes an innovative adaption of radio to new media, perhaps even generating a new model of radio [7] [9].…”

Section: Literature Reviewmentioning

confidence: 99%