“…The advent of the neoliberal fetishisation of measurement and calibration in order to facilitate competition, which increasingly dominates -and corrodes -educational practices worldwide, combined with the inherent difficulties of corralling the arts into easily measureable outcomes, is one of the main reasons for their marginalisation in some national curricula and state policies. In recent years, however, there has been a developing international research interest in artistic modes of expression as a source of knowledge, in and of itself, providing additional space where young children may generate meaning and express thought (Binder & Kotsopoulos 2011;McClure et al 2017;Lopatovska et al2016). Educators and policymakers have been urged to refocus attention on the possibilities of artistic experiences in the lives of young children, since to relegate them to a peripheral, seemingly inconsequential place, overlooks the potential of the arts for nourishing and supporting young children's creative voice: Children's images reveal the colour of personal expression, the lines of their experience, the shapes of their thought, the textures of their imaginations, the forms of their being, the patterns of their learning, the inner and outer spaces of their worlds, and the contrasting elements between the real world and the imagination.…”