“…23 As a vulnerable policeman on unfamiliar and opaque ground, McInerney experiences the project's architecture mostly as an obstacle to vision. Drawing on a Foucauldian theorization of oversight, communications scholar Matthew Murray has defined Cabrini-Green as an inverted panopticon, where those inside the buildings and on their fenced galleries are hidden from view and can watch over anyone approaching; 24 visuality as an instrument and deployment of authority does not work there. But the policeman turns his vulnerability in the order of vision into a strength, when he mediates his experience to fellow outsiders and produces an exterior knowledge of life in Cabrini-Green for those who do not live there and can therefore supposedly identify with the outsiderness of the "you" in the text.…”