Cinema Novo vs. Beatlemania: Discovering the use of sound and music in two unfilmed and unpublished Brazilian screenplays from the mid-1960s
Marcelo C. Mello
Abstract:In this article, I analyse sound and music in two unfilmed screenplays written by filmmakers Sergio Person and Jean-Claude Bernardet: SSS against Jovem Guarda (1966) and The Plague of the Ruminants (1967). Why would two leading figures of the politically engaged Cinema Novo jump into a commercial project with the ‘alienating’ leader of the Americanized Jovem Guarda? Their next project, The Plague of the Ruminants, contested the dictatorship. Inspired by magical realism, it would use Hollywoodesque fantastic sp… Show more
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