volume 13, issue 1, P90-93 2018
DOI: 10.1177/1746847717752592
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Abstract: teaches Film Studies and Liberal Arts at King's College London, specializing in film genre, international film history and contemporary digital media. He has published several book chapters and articles on digital technology and computer animation, including work in Animation Practice, Process & Production and animation: an interdisciplinary journal. He is the author of The Computer-Animated Film: Industry, Style and Genre (Edinburgh University Press, forthcoming 2018), and co-editor of Fantasy/ Animation: Con…

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