Bolero, bebop i „bal nad bale” czyli taneczne metafory w wybranych tekstach piosenek Agnieszki Osieckiej

Abstract

The article is an analysis of selected lyrics from Agnieszka Osiecka’s songs based on the theme of dance as a metaphor. The author of Sopockie bolero, To nasze sopockie bolero and Niech żyje bal uses dance as a lyrical situation which allows the author to analyze the lyrical I’s intensified emotions. Osiecka also uses the possibilities provided by the song form — rhythmicity, repetitions, the closeness of the language of the song to the language of choreography.