2020
DOI: 10.1007/s10162-020-00747-2
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Asymmetry and Microstructure of Temporal-Suppression Patterns in Basilar-Membrane Responses to Clicks: Relation to Tonal Suppression and Traveling-Wave Dispersion

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Cited by 10 publications
(2 citation statements)
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“…Stimuli were generated, delivered, and controlled through an iMac computer (Apple, CA, USA) running Auditory Research Lab Audio Software (ARLas v4.2017 82 ) on MATLAB. The iMac was interfaced with an external sound card (Fireface UFX+; RME, Germany) via Thunderbolt for analog-to-digital-to-analog conversion at a sampling rate of 96 kHz.…”
Section: Methodsmentioning
confidence: 99%
“…Stimuli were generated, delivered, and controlled through an iMac computer (Apple, CA, USA) running Auditory Research Lab Audio Software (ARLas v4.2017 82 ) on MATLAB. The iMac was interfaced with an external sound card (Fireface UFX+; RME, Germany) via Thunderbolt for analog-to-digital-to-analog conversion at a sampling rate of 96 kHz.…”
Section: Methodsmentioning
confidence: 99%
“…All stimuli were digitally generated in MATLAB (v2016b; Mathworks, MA, USA) at a sampling rate of 96 kHz and a bit depth of 24. Similar to Boothalingam et al (2018), clicks were generated in the frequency domain using a recursive exponential filter (Zweig and Shera, 1995;Charaziak et al, 2020) for band-limiting the click between 0.8 and 6 kHz (∼108 µs long). Bandpass clicks were used to focus the stimulus energy in the frequency regions where the MOCR is most prominent (Lilaonitkul and Guinan, 2012;Zhao and Dhar, 2012).…”
Section: Stimulus Generationmentioning
confidence: 99%