Arranging bodies for photographs: Professional touch in the photography studio

Abstract

This paper describes a particular form of professional touch, through which photographers taking photographs of their clients/models arrange their bodies and orchestrate their poses. Our analysis demonstrates that photographers adopt a professional touch-cum-vision, which combines professional vision and professional touch. The former is achieved by the photographers adopting a specific perspectival posture, allowing them to see the photographed persons from a distance, in a way that is analogous to the perspective of the photographic eye, that is, to the perspective of seeing through a camera. The latter involves a specific form and trajectory of arms and hands, accountably shaped in a way that enables a touch that is both precise, targeting specific details of the body, and delicate, orienting to the normativity of touching the other’s body. The clients/models can docilely align with the photographers’ touch but can also display more agency, initiating and preempting the arrangement of details of the pose, as well as some resistance, prompting the photographers to minimize their touching interventions and to ask for permission, apologize, and thank.
 Data are video recordings of photography sessions in professional studios, in which participants speak (Swiss) German and Turkish.

Negative Requests Within Hair Salons: Grammar and Embodiment in Action Formation

“…In beauty treatment encounters, the professional service deals with the clients’ physical appearance. Requests in this environment thus involve the bodies of the participants in significant ways, just as requests occurring during tattoo sessions ( Nizameddin, 2016 ) or encounters between clients and photographers ( Tekin, 2017 ; Mondada and Tekin, 2020 ). The client requests a specific service through different linguistic and embodied practices, while granting the request requires the professional to delicately touch and manipulate the client’s hair and the head.…”

“…The client requests a specific service through different linguistic and embodied practices, while granting the request requires the professional to delicately touch and manipulate the client’s hair and the head. 3 Hence, requesting in this setting most often involves a fairly intimate dimension ( Cekaite and Mondada, 2020 ), even though participants tend to treat haptic contacts as a manifestation of professional touch ( Mondada and Tekin, 2020 ). If, for the professional, the client’s body is ‘objectified’ as a working space on which he/she performs technical tasks, for the client, the professional’s interventions on these body-parts goes hand in hand with negotiations of requests, decisions, and entitlements.…”