A educação de Sísifo: sobre ressentimento, vingança e amok entre professores e alunos

Abstract

Hipócrita leitor, meu igual, meu irmão! (Baudelaire, 1985). RESUMO:O objetivo deste artigo é argumentar que os alunos humilhados pelos professores são obrigados a reprimir a angústia e o medo que sentem, fato este que produz frustração e ressentimento. Na sociedade onde tudo se transforma cada vez mais em espetáculo, esse ressentimento alimenta o ódio em relação ao professor até a ponto de ser exposto pelos estudantes através de ações violentamente espetaculares, tais como o Amok, uma síndrome psicopatológica na qual um indivíduo mata todos aqueles que cruzam seu caminho.Palavras-chave: Educação. Indústria cultural. Violência. Amok. Sociedade do espetáculo. SISYPHUS'S EDUCATION: ON RESENTMENT, REVENGE AND AMOK BETWEEN TEACHERS AND STUDENTSABSTRACT: This article explains the explicit humiliation of students who have been obliged to repress their anxiety and fear, leading to frustration and resentment. In a society where everything is becoming more and more of a spectacle, this resentment feeds the hate towards the teacher until this hatred is exposed by the students through violent and spectacular actions, such as running Amok, a psychological syndrome, where the individual kills everybody in their way.

Cognitive Structure of Beliefs and Habits: How to Challenge Them?

“…I consider as second greatest human fear, after the fear of death, the fear of rejection. To feel noticed (perceived and understood) is the prophylaxis of rejection and resentment [3]. "Interassistentiality is the experience of interconsciential, mutual assistance, based specially on the re-education through the clarification task (tares), the evolutive December 2015 | Volume 2 | e2170 intelligence (EI), the cosmoethics, the polykarmality (Table 1) and in the cosmic principle of the less sick helps the sicker" [4].…”

“…Paradoxically, to be invisible inside of the group, feeds the resentment back. The current cultural industry promotes the incredibly violent display of such resented relationships in the form of a shocking audio-visual stimulation and on a global scale, satisfying the desire of the resentful viewers [3] [42].…”