2015
DOI: 10.14393/cef-v28n2a2015-5
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A Coragem Feminina Da Verdade: Mulheres Na Ditadura Militar No Brasil

Abstract: ResumoConsiderando as reflexões de Michel Foucault sobre a parresia, ou coragem da verdade e a ética na democracia, focalizo, nesse texto, as experiências de algumas militantes feministas envolvidas na luta contra a Ditadura militar brasileira, assim como na defesa dos direitos das mulheres. A partir das narrativas autobiográficas de Amelinha Teles, Crimeia Schmidt de Almeida, Gabriela Silva Leite e Ivone Gebara, destaco como a coragem da verdade, mesmo em situações de risco fez parte de suas construções subje… Show more

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“…It is along these lines that feminist authors, such as Rago (2013) and Butler (2015), deal with practices of the self, such as personal accounts and reports of feminist women as political possibilities for social transformation. In contrast to the so‐called confessional narratives, such as the “classic male autobiographies, which aim to clear the past and soothe the soul,” as well as the narcissism of modernity that “reiterates normalizing discourses and ties individuals to their own identity,” for Rago (2015, p. 106), the purpose of narrating one's history as a practice of the self is to “break the female isolation in the experience of pain and, therefore, stress the dimension of the testimony, pointing to the denunciation of the violence”.…”
Section: Towards An “Aesthetics Of Existence” Against Gender Violencementioning
confidence: 99%
“…It is along these lines that feminist authors, such as Rago (2013) and Butler (2015), deal with practices of the self, such as personal accounts and reports of feminist women as political possibilities for social transformation. In contrast to the so‐called confessional narratives, such as the “classic male autobiographies, which aim to clear the past and soothe the soul,” as well as the narcissism of modernity that “reiterates normalizing discourses and ties individuals to their own identity,” for Rago (2015, p. 106), the purpose of narrating one's history as a practice of the self is to “break the female isolation in the experience of pain and, therefore, stress the dimension of the testimony, pointing to the denunciation of the violence”.…”
Section: Towards An “Aesthetics Of Existence” Against Gender Violencementioning
confidence: 99%