2012
DOI: 10.1590/s2179-64912012000400014
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Dor em cantores populares

Abstract: OBJETIVO: Identificar e caracterizar a presença de dores corporais em cantores populares, verificar se há diferença no relato de dor de acordo com o gênero e relacionar com dados referentes a questões vocais e de uso da voz desta população. MÉTODOS: Aplicou-se um questionário autoexplicativo em 100 cantores populares (50 homens e 50 mulheres) que investigou questões referentes a identificação pessoal, uso de voz e presença de dor. As dores foram divididas em dois grupos: dores proximais (ATM, língua, garganta,… Show more

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Cited by 16 publications
(5 citation statements)
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“…The repetitive and excessive upward and backward force against the mandible and the temporomandibular joint might predispose those professionals to develop TMD (Taddey, 1992). Singing may involve the overuse and misuse of orofacial muscles as well, as professional singers tend to present a heavy vocal load and an increased risk for the development of voice disorders (Phyland et al, 2013), as well as the presence of body pain near to the larynx area (Rocha, Moraes, & Behlau, 2012). Thus, it is important to stress that singing may be an etiologic or maintaining factor for TMD, which might predispone singers to develop that condition.…”
Section: Resultsmentioning
confidence: 99%
“…The repetitive and excessive upward and backward force against the mandible and the temporomandibular joint might predispose those professionals to develop TMD (Taddey, 1992). Singing may involve the overuse and misuse of orofacial muscles as well, as professional singers tend to present a heavy vocal load and an increased risk for the development of voice disorders (Phyland et al, 2013), as well as the presence of body pain near to the larynx area (Rocha, Moraes, & Behlau, 2012). Thus, it is important to stress that singing may be an etiologic or maintaining factor for TMD, which might predispone singers to develop that condition.…”
Section: Resultsmentioning
confidence: 99%
“…9 According to other studies involving singers, this is the age period of maximum vocal efficiency. 9 10 11 12 13 Although there is no consensus in the literature, some studies considered that the period of maximum vocal efficiency occurs between the ages of 25 and 45 years old, when structural larynx changes can be identified 9 14 ( Tables 1 and 2 ).…”
Section: Discussionmentioning
confidence: 99%
“…In a study with choralists, there was statistical significance between the absence of symptoms in the spoken voice and the good perception of voice quality in speech by the singers (23) . The perception of vocal disorder in the spoken voice of popular singers may indicate difficulties and losses also in the singing voice, both of which need to be considered and evaluated during the speech therapy (24) .…”
Section: Discussionmentioning
confidence: 99%