2014
DOI: 10.1590/s1414-98932014000100002
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Abstract: Este estudo objetivou conhecer a correlação entre preferência musical e busca de sensações, testando modelos de mediação e moderação. Participaram 279 estudantes do ensino médio, com média de idade de 17 anos e igualmente distribuídos por sexo, que responderam a Escala de Preferência Musical, o Inventário de Arnett de Busca de Sensações e questões demográficas. Observou-se correlação da preferência por estilos musicais alternativos (positiva, como, por exemplo, rock, música eletrônica) e convencional (negativa… Show more

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Cited by 3 publications
(3 citation statements)
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“…Music preference can be defined as the favorable or unfavorable, permanent or discontinuous affinity towards different types and styles of music [3,4]. Soares-Quadros Jr. and Lorenzo [5] contend that when a musical preference becomes more stable and long-term, it transforms into what we know as musical taste.…”
Section: Introductionmentioning
confidence: 99%
See 1 more Smart Citation
“…Music preference can be defined as the favorable or unfavorable, permanent or discontinuous affinity towards different types and styles of music [3,4]. Soares-Quadros Jr. and Lorenzo [5] contend that when a musical preference becomes more stable and long-term, it transforms into what we know as musical taste.…”
Section: Introductionmentioning
confidence: 99%
“…Rentfrow, Goldberg, and Levitin [11] developed a second model, which is largely present in the current literature regarding music preferences. This model, called MUSIC, converged into a five-factor structure: (1) Mellow (e.g., pop and R&B), (2) Unpretentious (e.g., country and rock and roll), (3) Sophisticated (e.g., classical and jazz), (4) Intense (e.g., heavy metal and punk), and (5) Contemporary (e.g., rap and electronic). This model has been widely used in different studies, which have shown similar results around the world [12,13].…”
Section: Introductionmentioning
confidence: 99%
“…The scientific literature defines the recurrence of these decisions as “musical preference”, an attitude that is favourable or unfavourable – and can be permanent or transitory – for different types of music (Hargreaves, North, & Tarrant, 2015; Pimentel, Gouveia, Coelho, Athayde, & Lima, 2014). Authors such as Pimentel, Gouveia, and Pessoa (2007) and Robinson and Hatten (2012) argue that musical preference is a fundamental element that forms human character, especially during adolescence.…”
mentioning
confidence: 99%