A atualidade da discussão sobre a indústria cultural em Theodor W. Adorno

Costa, Jean Henrique

doi:10.1590/s0101-31732013000200009

Cited by 5 publications

(4 citation statements)

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“…There has been a growing trend to a new form of consumption where tragedy, death and disaster are the attractions such as visits to museums or death sites (Handayani, Korstanje, 2017). Under late capitalism, even death is turned into a commercial product (Costa, 2013). However, how national history frames special-interest tourism, such as dark tourism, filminduced tourism, or 'edu-dark' tourism, has remained underexplored.…”

Section: Historical Sites and History In Media-related Tourismmentioning

confidence: 99%

“…Obecnie można zaobserwować wzrost zainteresowania nową formą konsumpcji, w której tragedia, śmierć i katastrofy przyciągają ludzi do takich atrakcji turystycznych, jak muzea czy miejsca śmierci (Handayani, Korstanje, 2017). W okresie późnego kapitalizmu nawet śmierć została przekształcona w produkt komercyjny (Costa, 2013). Jednak sposób, w jaki polityka historyczna kształtuje turystykę specjalnych zainteresowań, w tym mroczną turystykę, turystykę filmową czy mroczną turystykę edukacyjną, pozostaje niedostatecznie zbadany.…”

Section: Miejsca Historyczne I Historia W Turystyce Medialnejunclassified

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A fine line between red and dark: Anti-communist film-induced tourism

Handayani

Costa

2021

Tour

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This study explores the ‘30 September Movement’ that staged a communist coup in 1965 as travel motivation for an anti-communism museum. ‘Framing’ and ‘uses and gratifications’ theories were used for this case study. The findings concluded that negative film plots and scenes are signature themes that can be used as attributes of red or dark film motivations for tourism. The use of theories, such as ‘framing’ and ‘uses and gratifications’, along with reflexive thematic analysis has provided unique and valuable theoretical insights that may be overlooked by other analyses.

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Section: Historical Sites and History In Media-related Tourismmentioning

confidence: 99%

Section: Miejsca Historyczne I Historia W Turystyce Medialnejunclassified

A fine line between red and dark: Anti-communist film-induced tourism

Handayani

Costa

2021

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“…A indústria cultural, conceito cunhado por Adorno e Horkheimer (1947, expressa a cooptação da cultura pelo capital (Adorno, 1949(Adorno, /2015) tal qual ocorreu com o corpo (biologia), com a natureza, com o conhecimento e com as relações humanas (Costa, 2013), sendo estruturada por monopólios empresariais que transformaram a arte em negócio, de modo a padronizá-la e reproduzi-la de forma seriada.…”

Section: A Indústria Cultural E Seus Tentáculos Segundo Adorno E Horunclassified

“…Ainda que, atualmente, o conceito em questão apresente importantes limitações, visto que a realidade que se apresenta no contemporâneo é diferente da analisada por Adorno e Horkheimer no contexto europeu do pós-guerra, segundo Costa (2013), "suas limitações não invalidam nem o fenômeno nem tampouco o método crítico" (p. 136), visto que os produtos da indústria cultural estão presentes no cotidiano das nações, sendo originados pela administração da cultura, conceito que se refere, na acepção de Adorno e Horkheimer (1947, ao "levantamento estatístico, à catalogação, à classificação que introduz a cultura no domínio da administração" (p. 108).…”

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Formações discursivas sobre homossexualidade em telenovelas brasileiras

Risk¹

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By cultural industry is meant the set of means of production and reproduction from which the work of art, its conceptual design and artistic value are corrupted in the form of merchandise. On the other hand, studying mass culture requires scrutinizing its hybridization with aspects of popular culture and with the sociability relationships of each socio-historical context. In the history of Brazilian television, the novel is a very popular product, which acquired its own characteristics as a television genre. Since the 1970s, Brazilian telenovelas have incorporated a series of homosexual characters, who have undergone successive transformations. At first, homosexual characters were presented mostly stereotypically and carically, as effeminate and affected men, who played a comic and secondary role in the narrative. Subsequently, they began to occupy positions of greater prominence in the narrative plot and to present characteristics identified by the norms of gender as masculinized, in addition to seeking monogamous ties. Queer studies offer an instigating theoretical-critical resource for discussing these representations and changes in the figure of the homosexual, portrayed by Brazilian teledramaturgy, as they challenge the coherence and stability of the subject as "bearer" of a "sexual orientation", such as the flat characters of telenovelas perform. In considering these assumptions, as well as the relevance of performing a critical analysis of the ways in which homosexuality has been historically treated in the main product of the Brazilian cultural industry, the present study aimed to analyze the discursive formations on homosexuality in Brazilian telenovelas, noble, from its articulation with cultural, social and historical matrices. For that, a qualitative research was carried out and criteria were established for composition of the corpus from scenes of three telenovelas of the decade of 2010 that had gay characters throughout the plot, as well as news stories about each plot in websites, magazines and newspapers at the time of its exhibition. The selected scenes have been translated. The data were analyzed according to the theoretical framework of queer studies, cultural studies, as well as the literature on the area of communication about telenovelas. Based on the statements on homosexuality present in the corpus, caricature profiles of the characters that served as the basis for delimiting the discursive formations on homosexuality in light of the social, historical and cultural matrices were established. Four descriptive categories of the discursive formations on homosexuality present in telenovelas were elaborated, namely: comedy and morality, closet and hegemony, affective relations and familiar relations. The presence of homosexuality in Brazilian theater in the last decades has its relevance for allowing visibility and stimulating the public debate on the subject. On the other hand, the critical analysis showed that the representation of gay characters in novels is problematic, since it relies heav...

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Indiferenciação por identidade: de História e Consciência de Classe à Dialética do esclarecimento

Silva

2019

RBS

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UNDIFFERENTIATION BY IDENTITY: FROM HISTORY AND CLASS CONSCIOUS-NESS TO DIALECTIC OF ENLIGHTENMENTA central statement in classical and contemporary sociological theory is one that conceives the modernization of societies as a rupture in relation to a pre-modernity totalized by myth and religion and, as a consequence, the growing closure of the orders, spheres or subsystems of society in their inherent legalities or intrinsic and intransitive codes. This article intends to make a reading of the tradition that goes from the reification (Lukács) to the identity promoted by the instrumental rationality (Adorno and Horkheimer) as a radical critique to that imaginary in the measure in which it conceives the constitution of a new form of undifferentiation in the way of capitalist modernity.

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A atualidade da discussão sobre a indústria cultural em Theodor W. Adorno

Cited by 5 publications

References 1 publication

A fine line between red and dark: Anti-communist film-induced tourism

A fine line between red and dark: Anti-communist film-induced tourism

Formações discursivas sobre homossexualidade em telenovelas brasileiras

Indiferenciação por identidade: de História e Consciência de Classe à Dialética do esclarecimento

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