Abstract:This article situates the theatre laboratory in the history of social innovation and attempts to show how the twenty-first century phenomenon of social labs productively offer modes of thinking that can usefully inform contemporary conceptions of the theatre laboratory. Through an examination of Maketank, a fledgling organization in Exeter, UK, the article proposes a new organisational approach called the cultural laboratory that combines principles of both the theatre and social lab with the aim of extending … Show more
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