2023
DOI: 10.1590/1806-9983e670410
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Da escravidão à liberdade: a imagem de Anastácia entre arte contemporânea, política e religião

Edilson Pereira

Abstract: Resumo O artigo recupera a trama histórica e as controvérsias em torno da imagem de Anastácia, acompanhando sua passagem e transformação entre registros históricos: de memória da escravidão, mágico-religiosos, políticos e de consciência racial, até chegar em um caso exemplar da arte contemporânea brasileira, com o trabalho do artista negro LGBTQIA+ carioca Yhuri Cruz. Tema de interesse de outros pesquisadores ao longo das últimas décadas, as reproduções e apropriações da imagem de Anastácia são analisadas para… Show more

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Cited by 1 publication
(1 citation statement)
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“…The religious sacredness of (Slave) Anastácia was modified to reconstruct her face without the symbol of oppression. Renamed as Anastácia Livre [Free Anastácia], the new version of the holy card created by the black LGBT artist from Rio de Janeiro has gained widespread media attention in recent years and enabled a non-canonical and non-colonial way of producing monumentality (Pereira 2023).…”
Section: Art That Moves Monumentsmentioning
confidence: 99%
“…The religious sacredness of (Slave) Anastácia was modified to reconstruct her face without the symbol of oppression. Renamed as Anastácia Livre [Free Anastácia], the new version of the holy card created by the black LGBT artist from Rio de Janeiro has gained widespread media attention in recent years and enabled a non-canonical and non-colonial way of producing monumentality (Pereira 2023).…”
Section: Art That Moves Monumentsmentioning
confidence: 99%