2006
DOI: 10.1108/01409170610645439
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Colour and product choice: a study of gender roles

Abstract: PurposeResearch in to how colour can stimulate interest and subsequently increase the appeal power of products. There has been very little or no research in the colour‐impact domain in Malaysia. Gender has also been presented as an important factor of colour penchant and proclivity. Seeks to understand the influence of colour on consumer choice of automobile as well as the effect of gender differences.Design/methodology/approachA field survey of Malaysia consumers was conducted to understand these influences. … Show more

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Cited by 54 publications
(64 citation statements)
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“…Human color preferences are classifiable into three types: phenomenological (i.e., experience‐based), biological (i.e., neural activity to distinct colors), and ecological (i.e., affective responses to colors) . In Bakker's study of 1095 Dutch people about color preferences significant relationships were found relating to gender, education, age, culture, and personality traits . For instance, males preferred the color blue, while most females had no color preference.…”
Section: Introductionmentioning
confidence: 99%
“…Human color preferences are classifiable into three types: phenomenological (i.e., experience‐based), biological (i.e., neural activity to distinct colors), and ecological (i.e., affective responses to colors) . In Bakker's study of 1095 Dutch people about color preferences significant relationships were found relating to gender, education, age, culture, and personality traits . For instance, males preferred the color blue, while most females had no color preference.…”
Section: Introductionmentioning
confidence: 99%
“…Women are prone to make the choice of a light coloured product than the dark colours of male preferences. Designers can use this to their advantage to ensure their product is targeting and relating to the correct sex [20].…”
Section: Discussionmentioning
confidence: 99%
“…The visual appearance of labels should also be considered when designing product labels (Dimara and Skuras, 2005), including furniture labels. The first visual stimulus of labels registered is colour (Ambrose and Harris, 2003, p. 166), which might encourage purchases (Funk and Ndubisi, 2006). Imagery as a visual cue should also be considered for furniture labels, because research confirms that pictures on food labels increase consumers' attention (Underwood et al ., 2001), conveying an idea, instructions, information or feelings to the consumer (Ambrose and Harris, 2003, p. 127).…”
Section: Introductionmentioning
confidence: 99%