10 Women as Makers of Church Decoration: Illustrated Textiles at the Monasteries of Altenberg/Lahn, Rupertsberg, and Heiningen (13th–14th c.)

Seeberg, Stefanie

doi:10.1163/9789004228320_011

Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture 2012

DOI: 10.1163/9789004228320_011

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10 Women as Makers of Church Decoration: Illustrated Textiles at the Monasteries of Altenberg/Lahn, Rupertsberg, and Heiningen (13th–14th c.)

Stefanie Seeberg¹

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2021

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En torno a donantes y me fecit en los bordados medievales: la Estola de San Narciso y el Estandarte de San Ot

Soria

2021

Arch. esp. arte

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Los bordados medievales de la Estola de San Narciso y el Estandarte de San Ot han uscitado cierto interés de los investigadores por su contenido epigráfico y figurativo. Al incorporar inscripciones con me fecit y un retrato de donantes, se inscriben en la problemática para interpretar si estos recursos aluden al artista o al comitente, en su caso, una mujer. Por ello, la atención se ha centrado fundamentalmente en identificar al sujeto histórico responsable de su autoría. Contrariamente, este artículo pretende indagar en el sistema social y de creencias del contexto en el que ambos fueron creados. El objetivo es entender, a su vez, cómo cuestiones como la creación colectiva, el anonimato o el culto a los santos pudieron influir en las estrategias para dar forma a esas mismas imágenes e inscripciones.

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En torno a donantes y me fecit en los bordados medievales: la Estola de San Narciso y el Estandarte de San Ot

Soria

2021

Arch. esp. arte

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10 Women as Makers of Church Decoration: Illustrated Textiles at the Monasteries of Altenberg/Lahn, Rupertsberg, and Heiningen (13th–14th c.)

Cited by 1 publication

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En torno a donantes y me fecit en los bordados medievales: la Estola de San Narciso y el Estandarte de San Ot

En torno a donantes y me fecit en los bordados medievales: la Estola de San Narciso y el Estandarte de San Ot

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